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Konstantin Grcic: design that reveals its structure

Konstantin Grcic: nothing is there by chance

Konstantin Grcic does not set out to please everyone. And that is perhaps precisely what makes his work so interesting. Born in Munich in 1965, the German designer began by training as a cabinetmaker before studying design at the Royal College of Art in London. These two areas of training have had a lasting influence on his approach to design: on the one hand, a deep understanding of materials and craftsmanship; on the other, a more industrial and experimental approach to design. In 1991, he founded Konstantin Grcic Industrial Design (KGID) in Munich. He went on to collaborate extensively with major manufacturers such as Magis, Vitra, Flos and ClassiCon.

His style? It’s difficult to sum it up in a single phrase. Grcic prefers to show how objects are constructed rather than seeking to conceal their structure. Geometry, materials, assemblies and technical constraints thus become integral elements of the design.

In his work, nothing is decorative by chance. And nothing is complicated just for the sake of being complicated.

A truly unique chair

It is impossible to talk about Konstantin Grcic without starting with the Chair One, designed in 2003 and produced by Magis. With its shell made up of geometric facets in die-cast aluminium, it almost resembles a miniature architectural structure. Angular, graphic and deliberately unconventional, it has become one of the designer’s most recognisable creations. Whether in an exhibition stand, a dining area, a terrace or a contemporary installation, the Chair One is enough on its own to give the space a distinct identity. And despite its highly sculptural appearance, it remains designed with practicality in mind. Lots of angles. But a very clear idea behind each one.

The One Stool, also produced by Magis, echoes the collection’s signature design language. It features the same geometric structure and the same interplay of solid and void, but in a taller silhouette particularly suited to bars and counters. Placed around a high table, in a cocktail lounge or on a rooftop, it adds rhythm to a setting without weighing it down visually. A striking piece that also works very well in a set. Finally, a change of style with the Miura Stool, produced by Plank.

Made from reinforced polypropylene and designed to be stackable, it features a dynamic, one-piece silhouette whose lines seem almost to fold in on themselves. More understated than the One range, yet just as recognisable, it fits seamlessly into a bar, a dining area, a showroom or a corporate event.

Three seats, three silhouettes. And no desire to fall into line.

Why choose Konstantin Grcic furniture for an event?

Konstantin Grcic’s designs offer a quality that is particularly appealing for event design: they lend character to a space without the need to pile on decorative elements. The One Chair can become a genuine architectural feature when arranged in groups around several tables. The One Stool adds rhythm to a bar or cocktail area. The more compact Miura Stool allows you to create functional layouts whilst maintaining a distinct visual identity.

What do they have in common? A contemporary aesthetic in which the structure forms part of the décor. Konstantin Grcic furniture hire is therefore particularly well-suited to design stands, dining areas, cocktail venues, showrooms, terraces, rooftops or events with a graphic and contemporary aesthetic.

There’s no need to hide the technical aspects. At Grcic, it is precisely these that define the style.

Konstantin Grcic’s designs at Maison Vachon

At Maison Vachon, we love furniture that isn’t quite like anything else. With Konstantin Grcic, we’re in good hands. The Chair One and One Stool by Magis, as well as the Miura Stool by Plank, allow us to introduce graphic and architectural lines into a setting whilst meeting the very practical requirements of event planning.

Available to hire from Maison Vachon, these designs are perfect for furnishing everything from a dining area to an exhibition stand, a cocktail reception, a terrace or a premium event. When you hire Konstantin Grcic’s designer furniture, functionality never comes at the expense of character.

After all, why hide the structure when it’s so interesting to look at?

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